Throughout Chinese history, the city of Nanjing served as the capital of multiple dynasties. Each time a dynasty was overthrown, it left behind another layer of cultural memory, creating an atmosphere in which artists found themselves surrounded by the past. Material traces of history—temples, city walls, ancient trees—blended with less tangible remains, such as views that had inspired famous artists and poetic verses they had written. In 1644, the Ming dynasty was violently overthrown, and the Qing took its place. A new layer of reminiscence was added, sparking feelings of loss and nostalgia, as the people of Nanjing saw their world shattered and another dynasty—their own—consigned to the realm of history.
City of Memory: Nanjing in the Seventeenth Century explores how artists lived and worked in this charged environment in the decades before and after the fall of the Ming dynasty. Through a selection of about 100 objects, mostly from The Met collection, the exhibition illuminates both the city’s lore and complex history as well as the evolution of Nanjing painting from the 1640s to the 1680s, introducing key figures, genres, and styles.
The Metropolitan Museum of Art