Aziz Hazara (b. 1992, Wardak, Afghanistan) is an interdisciplinary artist working across various mediums, including photography, video, sound, and multimedia installation. His work explores themes of surveillance, material culture, and supply chains within the context of power relations, geopolitics, and the panopticon. Select solo and group exhibitions include To Carry at the 16th Sharjah Biennial, Sharjah, UAE (2025); the 18th Biennale de l'Image en Mouvement: A Cosmic Movie Camera at the Centre d’Art Contemporain, Geneva (2024); Is It Morning for You Yet? at the 58th Carnegie International, Pittsburgh (2022); Penumbra, Venice (2022); the Busan Biennale (2020); and NIRIN at the 22nd Biennale of Sydney (2020). Hazara’s work is held in the public collections of institutions such as Tate Modern, London; SMAK, Ghent; Guggenheim Abu Dhabi; KNMA, New Delhi; the Sharjah Art Foundation; and the Carnegie Museum of Art, Pittsburgh.